Start Your Own Photography Business

Start your own photography business – When you are a kid and thinking about the many ways you can make a living when you grow up, what is the advice your elders always gave you?. It was, “Do what you love to do and you will always be happy.” And that has to be true because if you can spend your work week doing what you love the most, it really won’t be work as much as it will be play that people pay you to do.

Start Your Own Photography Business
Start Your Own Photography Business

Tips On Starting A Photography Business

So if your passion is photography, it makes sense to start your own photography business. But how to go about it? You see so many small photography shops that seem to spring up from nowhere. What is the best way for you to go about starting your own business like this?

The first thing to think about when starting a photography business is how to do it in a legitimate way. You want a business that will last a lifetime so you want to start it out right. So don’t fall for the “get rich quick” internet schemes or books that claim they will spill the insider secrets of other successful photography business. There are no insider secrets to this business other than what you need to know to run any business. To succeed you have to.

  • Pay your dues
  • Get your education.
  • Learn from the pros.
  • Know your stuff.
  • Network
  • Value your customers.

You can accomplish the first five of these objectives by going to school and working part or full time in somebody else’s photography shop. You may despair at the idea of more school. But your photography business will be about more than just cameras, photo shoots and dark rooms. You have accounting principles to comprehend and execute, taxes to be paid, a facility to rent, employees to pay, insurance to worry about, contracts to sign and all of that other “stuff” that goes with running a business. So start early and get some basic business classes under your belt such as accounting and economics. It will benefit you dozens of ways as you march toward success.

Many trades have an apprentice system where you tutor under a master of the craft. But it might be a good thing for you to take this matter into your own hands. Plan to work for a photography shop long enough to learn the ins and outs of running a small business and of running a photography business. This gives you the chance to build your knowledge and exposure to equipment, learn technique and how to work with your subjects.

In fact, it might be a good idea to deliberately apprentice at a number of different types of photography studios before launching out on your own. So you can learn the ins and outs of wedding photography, baby photography, fashion photography and others from specialists all before you spend a dime of your own money to start your own enterprise. In this way, you build skills, you build knowledge, you build experience and you can watch and take notes of the great things others do and the mistakes to avoid.

Your employers will be thrilled to share their real world knowledge with you if you are open to them that you want to learn from the masters how to do this with the goal of becoming their competition in the future. Above all, you can build a client base from the many customers you work with before you start your own business. Buy taking care of someone else’s customers, they can become your customers when you hang out your shingle. And that is good business.

The Power Of Black And White Photography

The power of Black and white photography – It’s interesting how sometimes older technologies or art forms take on an even greater value when they are made obsolete by the new and modern. This is certainly true of black and white photography. When color photography came on the scene, it seemed the days of black and white in both video and photography were over forever.

The Power Of Black And White Photography
Black And White Photography

Tips Black And White Photography

But that was certainly not the case. Over the years we have seen black and white take on a new artistic value in both genres. In fact, it is not at all unusual any more to see a very modern movie filmed entirely in black and white. It is also common to visit a fine art museum and find a photographic art display that uses black and white extensively. Black and white has some artistic and emotional qualities that are just not possible to achieve in color photography.

Probably the strongest quality that grabs the viewer with a black and white photo is its emotional power. Even if the photo is just of an old barn or an antique car, there is an emotional appeal that is difficult to analyze in words but universal to all of us as we look at a black and white shot. That is why black and white photos almost instantly take on an artistic look. So if you are evolving your artistic photography style and portfolio, including some experimentation with black and white will do a lot to improve your work.

Black and white also focuses the eye on the emotional center of the piece. Probably the best subject for black and white photography is the human face. In even a tranquil expression, the viewer can see such a vast range of expression in the eyes, the tilt of the head, the subtle wrinkles or peculiarities of the face and the focus of the gaze.

Black and white almost always invites the viewer to want to know about the story behind the picture. If it’s a landscape, “What happened here?” is the question that often springs to the mind of the viewer and the longer they gaze at the photo, the more their imagination fills in the details. If you are viewing the face of a serene or melancholy girl, it is almost impossible not to wonder what she is dreaming about or what of life’s issues is weighing on her mind.

Along with the emotional power and the way black and white compels the viewer to search for meaning, black and white carries with it a tremendous romantic power that touches the heart in a powerful way. That romance can easily translate over to the sensual or even the erotic without having to become pornographic to achieve that effect. Shots that are trying to evoke the power of sensuality and romance do well when they involve moisture or a water scene such as the beach. Despite the lack of color, these colors appeal to the five senses in ways that color can never hope to achieve.

You can experiment with black and white and gather the responses of friends and family to learn how to utilize the subtle but powerful artistic nuances that seem to come with black and white photography almost unconsciously. The digital camera has ushered in a whole new era of black and white photography. You see the form used even in otherwise non artistic settings like wedding portfolios or anniversary pictures. That is because of that emotional and romantic power that black and white conveys.

If you have not started to experiment with black and white shots, it’s worth the time to learn how to capture the powerful images this type of photography can make possible. Along with the creative use of light and framing, black and white gives itself well to editing that you can do with Photoshop to bring out the emotional center of each shot. Before long, you may actually find your self seeing black and white shots in a color world. Your awareness of what will make a great moment in this format will become acute and you will be ready to capture those moments spontaneously, which is always the best kind of photography.

Is Photography Art

Is Photography Art ? – The controversy about whether photography is art is one that has been raging in the art world for a long time and we are not likely to totally solve it here. But it can be an important decision you have to make if you are considering a career in photography with the goal of producing quality art works. If that is where you are, the idea that someone would say “That’s not art, you just took a picture” is pretty disturbing. So it’s worth looking at the question from several different angles before we pick which side to weigh in on.

Is Photography Art
Is Photography Art

Of course, art is a subjective thing. Many people would look at a Jackson Pollack splatter artwork and determine most definitely that modern art is not art because it doesn’t look like anything. And if you spend any time in the modern art world, you will definitely see something at some time along the way occupying space in a perfectly respectable art museum that, to you, could never be considered art.

So is it just a matter of opinion, to some extent, yes. But there is a world of art and industry behind it that depends on the existence of several standards that form the basis of the assessment of art. One such standard is the intent of the artist. If you produce a photograph or an art work derived from a photograph that is intended to be viewed as art, then the viewer is obligated to try to see the artistic merit in it. Whether the viewer sees that merit or not may depend on the viewers abilities, how good you are at getting your artistic message across or many other factors.

But just wanting something to be art doesn’t make it art does it, As a layman in the art world, I sometimes go with the I don’t know art but I know what I like system of evaluating pieces I see. Art, after all, has a tendency to touch us in another place that is above and beyond the image. It is an emotional place, a place of reflection and understanding. Maybe we would say it touches our soul. In order for a work to become an art, there must be a message, a feeling, an excuse for the artist to make his work because he wants to say something, even if I interpret the statement differently from what the artist intended.

So that might also be an evaluation of a photograph as to its artistic merit or not. Now the primary objection to whether photography is art sometimes is that a photograph is often a realistic depiction of a moment taken with a machine and some would say that anybody can take a picture. The implication is that the same mechanical skill it might take to paint a picture of sculpt a statue is not needed for photographic art.

It’s true that the mechanical skill that the guy at Wal-Mart might need to take baby pictures may be the same as a great photographic artist might need. But that objection did not persist because the same human language was used to make great poetry because it required shouting obscenities at baseball matches. So it isn’t the skill that makes it art.

Good evidence comes from the credit some great art experts have given to photographic exhibitions in the fine museums in the world. The very fact that photography is considered art by those who know may be evidence enough. So the conclusion must be that because the arguments against the artistic value of photographs are weak and people who know consider photography to be art, then we are safe in viewing what we do artistically too. And that opens up that side of your soul to express yourself through the medium you love the most – photography.

Insider Tricks to Create a Great Wedding Video

Insider Tricks to Create a Great Wedding Video – If you have been hired to create a video of someone’s wedding and reception, it can be a really fun job. Not only is there a lot of joy, laughing and fun moments during a wedding celebration but it is really gratifying to know that the video you are creating will be part of family celebrations of these people for decades to come.

Insider Tricks to Create a Great Wedding Video.
Insider Tricks to Create a Great Wedding Video.

Have you ever thought about this ?

Naturally, you want to do a good job. But whether you are just getting started or have been shooting video for years, you know things can sneak up on you and make your job more difficult. So there are some “insider tricks” that you should keep in mind especially on the big day so the wedding goes off like clockwork and you get that great video without disturbing the joy and fun of the family.

Tips And Trick That You Must Understand 

The first few precautions actually happen long before you drive up to the church and that is a thorough equipment check. Check and double check your equipment and then check it again. It can’t hurt to be a bit compulsive about this. Also, check that all of your supplies are new, in good shape and that you have back ups of batteries, bulbs, tapes or whatever recording media you are using. If you know your equipment is in good shape, you can walk in there like the professional you are.

Next, be everywhere early and well prepared. In fact, it can’t hurt to scope out the church and reception hall the day before to check the lighting and do some planning on where you might plan to get your best video from. If Martin Scorsese can pre-plan all of his shoots, so can you.

Now be sure everybody knows who you are. Meet the bride, groom, the wedding party and others close to the planning. If there are security people, be sure they know who you are as well. If there is a need for passes or badges of any kind, be sure you have one well ahead of the wedding day.

Part of networking with the key players includes getting some face time with others who may be supporting the wedding. Many weddings have a wedding planner who must know everything that is going to happen. Be sure he or she knows who you are and what you are going to do before you start disturbing their domain.

It is also a great idea to meet the other photographers and do a bit of preliminary choreography so everybody can get their shots. Be aware that you really don’t want to do such a great job of videotaping the wedding that you damage the experience of the wedding guests. This all takes lots of planning.

If they rehearse, you rehearse. The rehearsal is one of the great missed opportunities that wedding photographers and video graphers have to step through the wedding with the party and plan where you are going to be. Now secure permission to be there as you never want to surprise a nervous bride or her mother.

But if they know you are working as hard as they are to get ready, they will be thrilled and you may find them giving you directions on shots they want included in the video and where they want (and don’t want) you to be at strategic moments during the wedding. This information is gold on producing a high quality video for your customers.

Once everything is ready, jump in there and enjoy the wedding right along with everyone else. You know you are ready and you like what you do so you can celebrate this big day and produce a top-notch video that will be a treasured memory for this bride and groom for many years to come.

Ok thats is something that you might try, good luck.

Take Your Own Wedding Photos

Take Your Own Wedding Photos
Take Your Own Wedding Photos

Your wedding is fast approaching and as the anxiety grows in everyone associated with the big day, two big concerns weigh on everybody’s mind. Those are ?

(1) How can we reduce the stress of this big day?
(2) How can we cut the costs?

These two questions are in conflict with each other too because in order to reduce stress, you have to increase the work that someone has to do. Sometime during the preparation time frame, the idea will come up, why don’t we let “John Jones” do our wedding pictures? John Jones may be someone’s brother who is “really good at photography” or just a friend of the family. The appeal is that they will save you a pile of money and probably do just as good a job as the expensive photographers.

While you certainly want to watch out before you turn over this important job, maybe you or someone in the wedding party can take the photos as well as a professional. After all, how many wedding nightmares have you heard about a professional photographer who either damaged the romantic nature of the ceremony by butting in too often, aggravated the guests by blotting out their view of the wedding to get an action shot or charged an arm and a leg only to deliver poor quality photos.

In truth, it is entirely possible for an amateur photographer to do a terrific job taking pictures at the wedding. But there are some guidelines you should follow if that job has fallen to you. If you are reading this as the bride, groom or anxious mother and you are considering using a friend for these photos, spend an hour going over these guidelines and not only will you get better pictures, your anxiety level will go down too.

Here Are The Things You Have To Do

  1. Know your equipment inside and out. Whether you are using a run of the mill digital camera or an expensive set up that has taken you years to work up, make sure everything is in top-notch working order and that you are thoroughly familiar with every nuance of the machine. Remember Murphy’s Law. If anything can go wrong, it will. So keep Murphy out of the wedding by checking and double checking your camera and related equipment.
  2. Have spares of everything possible. If there are batteries involved with the operation of the camera, have several spare sets on hand and know where they are. If the batteries go out as the bride and party are posed at the alter, you don’t want an hour delay why you run to the 7-11 to get more. The same goes for flash bulbs and even the camera itself. Have spares of everything possible so Murphy just goes to the next wedding down the road to make his mess.
  3. The photo is about more than the bride and groom. If you are used to “staging” your pictures, you may not worry that often with activity in the room. After all, if everybody is posing, the environment is controlled. This will not be the case during an action shot like during the wedding or reception. So keep a keen awareness of the room, the activity around the subjects, the lighting and background props. You don’t want to produce the perfect shot of bride and groom kissing only to have Cousin Ned gagging on the cake in the background.
  4. Be aware of glare from windows, lights and eyeglasses. These can sneak up on you.

As a rule, someone who is part of the event can get great shots because they know the people and can be mixing as those wonderful “little moments” occur. So it’s worth a try if you feel good about the skills of your photographer and they follow these little guidelines.

Portrait Photography

Portrait Photography – Do you just snap pictures of friends without a thought to how it my turn out? Portrait photography takes you a step up from people photography. It gives you elements to notice such as the angle you take the photograph, the lighting you will use, and the expression of emotion on a persons face. While you may be an amateur photographer deciding to take Christmas photos without the expense you will need to have some basic knowledge of techniques used by the professionals.

Portrait Photography
Portrait Photography

Do you just snap pictures of friends without a thought to how it my turn out? Portrait photography takes you a step up from people photography. It gives you elements to notice such as the angle you take the photograph, the lighting you will use, and the expression of emotion on a persons face. While you may be an amateur photographer deciding to take Christmas photos without the expense you will need to have some basic knowledge of techniques used by the professionals.

First when taking a photograph of a person you need to study their face. The face is important to the angle you will shoot from. Though it is a cliché, it is true some people have a better side. This could be in relation to scarring or acne breakouts or even simpler. For instance my left eye is larger than my right by just a bit, and looking head on into the camera will cause a horrible portrait, however if the photographer comes from the right side and angles up a little the light and shadows will help even out the features while keeping the distinctions that make me who I am.

Portrait photography is about capturing the essence of the subject, the personality. The little nuances of a face add character to the portrait. You will want to loosen up your subjects. If you are becoming a professional portrait photographer you will want to learn about your subject as you are taking pictures or perhaps meet them before the session. If they are just your family then you should know what would get their personality captured on film.

Lighting is the next important step to portrait photography. A lot of photographers prefer natural light to artificial. Your subject will in part decide this for you. Remember you will use the light you have. Natural light will often require setting the aperture to compensate for the cameras lack of definition. In other words you need to create the contrast with the light and shadows for the effect you want. Often artificial light is harsh and not directed properly unless in a studio. Again you will need to use the manual settings on your camera to create the perfect portrait.

The background is also important when discussing light. In a studio a photographer will pick a background that will not wash your features out or your clothing. They want to have a distinction or contrast between you and the background. This is also important of home portrait photography. You will want a background that gives color to your subject rather than taking it away. Finding a nice spot with a tree to sit on and mountains in the background can be a great portrait, but you will want to make sure the background is not too busy to distract from the subject. Make the subject seem apart of the picture rather than outside of it.

The type of camera and film you use will also determine the quality of the photography. Once you combine techniques such as lighting, angles, and understanding your subject you will be able to create a near to professional if not professional portrait for your friends and family no matter the occasion. Just snapping a picture is possible, but it would be great to have a better portrait?.

How To A Professional Landscape Photograph

How To Create A Professional Landscape Photograph – Landscape photography is widely popular. I am sure if you look around your home you will see at least two landscape prints that spoke to you. Photography is an art that has a message. As a photographer you have to find the message you want to portray. If you specialize in landscape photography you might think your task is easy to complete. As with any photography you have to pay attention to the details, the lighting, shadows, subject, and the equipment.

How To A Professional Landscape Photograph
How To A Professional Landscape Photograph

Landscape photography is widely popular. I am sure if you look around your home you will see at least two landscape prints that spoke to you. Photography is an art that has a message. As a photographer you have to find the message you want to portray. If you specialize in landscape photography you might think your task is easy to complete. As with any photography you have to pay attention to the details, the lighting, shadows, subject, and the equipment.

Black and white landscape photography is the hardest section to attain true artistry because you are not relying on the colors as much as the lights and shadows the image will create. Composition is very important. Composition in photography means to look for sharp edges, tones and textures. The basis of black and white photography is getting the camera to see what your eye sees in color; to bring the highlights and shadows forward with the angle of the picture. Typical subjects for black and white photography are buildings and water. Water gives the surrounding trees and rocks a contrast while drawing the eye. Landscape can encompass buildings or bridges among other subjects. Buildings lend to the angles and contrast you seek when trying for definition and emotion.

When landscape photography is your subject in color you will need to have contrast between the colors. If the sky is blue and you have blue water below chances are the picture is not going to have the contrast you are hoping for. Like black and white photography you need to have definition or composition in the shot. You will need to take a few minutes to set up the shot and perhaps take several frames before being satisfied. Color photography takes less skill than black and white photography so if you have master the last you will succeed at the first.

Lighting for landscape photography is natural rather artificial. This is important when setting up your shot. You will need to have filters for the sunlight if it is a bright day, perhaps a tripod to set up the shot and a professional grade camera to create professional prints. Studying your subject from all angles is also important. You want to make sure you are picking the best angle for the shot. Remember the message is brought forth by the skill of the photographer.

You abilities should be honed and practiced. Digital photography makes landscape photography easier because you can assess the photo before you leave a site. Again the LCD screen isn’t going to show you every aspect of the print so you will want to take a few shots of the same site to ensure a perfect picture.

Even being an amateur photographer you can gain professional looking landscape photography. The best way to gain great photographs is to practice with a subject. Going back to the same site during different seasons can help you hone your skills and net you an even better print the next time around. All photographers’ start at the same level, some may have innate skills and an eye for the photo, but practice will lead to the best print.

History Of Photography

History Of Photography – Have you ever wondered where modern photography originated? While we are now moving into the digital age and away from film, the lighting techniques and other photography techniques began in the 1820’s. Niepce and Daguerre were the first inventors of modern photography. They used a chemical component from silver and chalk, which darkens when exposed to light. This type of technology used a glass negative to cement the picture.

History Of Photography
History Of Photography

From the early cameras seen in western films we have moved on to manual cameras with film. This film or negative captured the image on a roll to be developed in a dark room to prevent over exposure. The manual cameras used a theory of setting up shots. You had to understand aperture, shutter speed, white balance, and metering to obtain the best picture possible. This meant you spent a lot of time setting up the shot and had to be a professional to catch wildlife in their natural habits.

Aperture is measured by F-stops, or the amount of light the lens will let in. Focusing and depth of field are also important when setting the aperture on your camera. You have to know what numbers will allow more light to enter the lens and the converse to avoid over exposure and blurriness. Shutter speed is the amount of time a lens is open for the picture. You may have found in a darkened room without flash your camera takes a while to imprint the picture on the negative. This is because the light is dim and the shutter must correct for the lack of light. The lack of light induces a need to expose the film longer to obtain the picture where as more light will have the shutter moving at a faster speed.

From the manual cameras we moved into the automatic. The camera became lighter. The shutter speed and aperture was programmed into the camera by the settings. ISO became important. ISO is the film speed. Instead of taking minutes to set up a shot you just had to pick the correct setting and hold the button down to focus. Many cameras came as automatic with manual options for those who still liked to treat photography as an artistic vocation.

Digital cameras are the new era in photography. Now we can see the picture we take without the use of film and negatives. We can send the pictures to all of our friends and use our home printers to create prints. Photography has moved from the concentration of taking the perfect shot with a skill born to a few to everyone taking pictures.

This is not to say photography and photographers will not remain. There is still the need for quality in taking professional grade photographs. Light sensitivity is still important when dealing with a digital camera and unless you spend a lot, you will find quality of photographs is still missing. Photograph techniques lay within the lighting provided whether natural or artificial for the subject. You might wonder how to create a photograph in a dark room like a museum to share with your friends and family. Knowing the past photography techniques will help you in attaining that perfect photograph with your digital camera. Photography may have originated with few people, but we can see the advancements their inventions have led us to now.

Getting Baby Photograph

Getting that Baby on Film – In the many types of photography you may have to do as a photographer, baby shots may be the most difficult. Even if you are not a professional photographer but you are trying to get a great looking portrait of your own child, getting them to cooperate is a major undertaking.

Getting Baby Photograph
Getting Baby Photograph

Things You Need to Know when Taking Photos

The first rule to live by with baby photography is that, as a matter of face, they ARE the boss of this shoot. The entire process has to be built around that fragile mood of this child. But there are a couple of tricks of the trade you can use, professional or amateur to get the best shot of that sweet baby.

Don’t Take the Baby To The Photo Studio

Baby’s respond well when they are fed and rested, with people they know and trust and when they get all the attention. So right off the bat, you as mom and dad can see to it that the shoot happens when requirement number one has been met. Now, that is not always easy. If you have an appointment to take the baby to the get his or her portrait made at the local photography studio, that mood may not be the way you want it to be. That is why, if at all possible we would discourage taking the shots in a studio.

If you can set up a shoot at the baby’s home, where there is a comfortable setting and much that is familiar around, you have many more opportunities to get that smile that will make the portrait of a lifetime there. Now that calls for a “house call” by the photographer but if he or she is a photographer that wants only the best shot of the child, they will work with what you want.

Tips for Taking Pictures

Another advantage of scheduling the shoot at home is that you know when the baby usually is at his or her best so you can schedule it when that time of day is just right. In fact if the photographer can show up during nap time, there is plenty of time to stage the shot before the angel awakens. And by eliminating the car ride to the studio, you take away a huge risk of that fragile mood going south en route.

A second tip comes from the fact that babies like people they know. So if the photographer has time to meet the child, play with him or her and get a rapport started, then they will be more receptive to playful direction to get the shot you want. You will have to be clever how you introduce the camera as it can either be an object of fear or looked upon as a toy and the baby will want to play with it.

As far as the camera goes, think about the kind of equipment you will utilize to get that perfect baby portrait. You want it to be portable, so you can do those on location shots that work so much better. It should be small, both for portability and to not alarm the child. Digital is best because you can shoot lots of shots and never have to reload. But make sure it’s a good quality piece of equipment that will shoot at a high resolution so when you get that prefect shot, it will transfer to a portrait printing nicely.

By setting up the room with the kind of backdrops that will create a good portrait, you can then have the baby begin to play with her or her toys and interact with parents, siblings or the photographer in a happy way. Before long that sound of the camera clicking and even the flash will become familiar and the baby won’t pay it any mind.

Examples of Good Shots When

The best shots are of the baby laughing. Try to get on the same level with the child as he or she plays. Mom and dad know the notices or games that always get a giggle so exploit their inside information extensively. The baby will enjoy getting to know you and hearing those familiar games coming from you should do well at getting that sweet laugh or smile you want.

By learning the baby’s personality and how to get in sync with the child, you can coax pictures from the shoot that might other wise be impossible to get. And that is what you want if a portrait of a baby that you want to last a lifetime.

Getting the Best Audio from a Camcorder

Getting the Best Possible Audio from a Camcorder – When you move from photography to videography as your means of capturing moments either personally or as part of your profession, you enter into a much bigger world with greater challenges as well. For one thing, you now have to deal with issues of movement. The problems of lighting and surface noise are just as big of an issue except now you have subjects that may be on the go and you have to go with them.

Getting the Best Audio from a Camcorder
Getting the Best Audio from a Camcorder

But when using a camcorder to capture the event under scrutiny, whether it’s a wedding, a speech or presentation or some other significant event, the issue of having the best quality sound presents unique challenges. So its best to do some concentrated planning on how you are going to accommodate the sound needs of the event to your equipment because if you have wonderful pictures but the words and sounds of the event are muddy or lost, then the quality of your final product is seriously damaged.

A Glimpse of Recording

Many an unsatisfactory video was taken with a camcorder because the operator depended too heavily on the small microphone that is built into the casing of the machine. The only situation where this microphone may be adequate would be if you were conducting a one on one interview in a small room where you could position the camcorder within three feet of the subject. Even then, surface noise from the surrounding building could become part of the audio outside of the awareness of the operator at the time.

Steps That You Must Consider When Doing Video Recording

To assure that you have complete awareness of what is going onto your video recording of each event, the investment in a good set of closed back headphones to monitor the audio is an outstanding move. You can plug it into the camcorder and you are dynamically aware of what is going onto that tape at all times. If something gets into the audio that is not appropriate, you can use editing techniques or even re-shoot the segment if that is possible in the context of the event.

For the majority of events, plan to use the auxiliary audio input plug to incorporate a mobile microphone unit rather than depend on the onboard microphone in the camcorder casing. This small plug alone opens up a large range of solutions to the problem of poor camcorder audio that is so often endemic of videos made with this technology.

Things You Should Pay Attention 

If you are working with an external microphone, be aware of the limitations of the wire if you are not working with a radio frequency microphone unit. In a situation such as a speaker doing a presentation, you can lay the cord down between the recorder and the speaker’s stand assuming you have sufficient cord length to reach the where the microphone will mount on the stand. Be careful with the excess cord, perhaps securing it with duct tape so those listening to the presentation don’t trip on the cord or pull it free which could cause injury and damage the equipment.

Suggestions That Might be Useful for You

In many situations such as one in which you plan to interview people in a roving fashion or to record a speaker who is on the move a great deal, a radio frequency microphone may be necessary. These can be more expensive but without the investment in this technology, your audio quality relying exclusively on the camcorder built in microphone will almost certainly be disappointing.